Monday, 21 January 2013

HMV SOLUTION IMMINENT?

As many had hoped, it does look as if there's a gathering wave of good will towards HMV right now. My previous blog on 15th January outlined the reasons why HMV had found itself in administration and expressed the hope that a combination of the music industry and some White Knight financier would see it survive, somehow. What had been a couple of "straws in the wind" seem to be firming up and we need to check these out.   

Today, HMV's adminsistrators Deloittes have confirmed that after looking at the company's finances, the stores can now start honouring gift vouchers once more. HMV took a lot of flak from customers for the refusal to accept them, particularly as there were many more of them in circulation than usual following the festive season. But that in essence was part of the issue. The gift voucher money had already been paid to HMV and taken into account when they called in the administrators. Deloittes wouldn't accept a position whereby stock would flow out of the stores for which no further income would be received. Whether this is an acceptable or moral course of action is open to debate, but it has been the pattern with many other high street stores that have taken the administration route.

Interestingly enough, there doesn't seem to be any hint of HMV store disposals yet and the planned January "25% off sale" went ahead and still continues. 

Salvation?    

Record buyers with longer memories will recall that when both Borders and Zavvi closed their stores, one of the communities that suffered the most were the indie record labels. They relied on their wares featuring in-store and with distribution channels closed off, it set their financial alarm bells ringing too. It was almost a double blow for some of them - reduced distribution and stock tied up in the stores with little or no hope of financial redress.  

HMV poses an even bigger threat as it is the last national chain and had, until recently, an admirable policy of supporting genre music and small labels alongside the big international firms such as Sony. Ironically, several of them - such as The World Music Network - had seen increased sales and profits via HMV. But, there's a clear danger that with little or no distribution, many smaller labels will also cease trading. Behind the scenes, intense lobbying has been taking place to ensure that these factors were also taken into account in determining HMV's future. The knock-on effect would be felt beyond those labels as it would reduce the number of publishing outlets for aspiring bands - and although many can take a DIY approach, it's not as simple or *lucrative* as many might think.

The big groups themselves are also keen to keep HMV intact: despite their size, they too need distribution and they have rostas of bands and artists who have deep back catalogues which need to be promoted. They also have big interests in films and associated DVD sales and it's not at all surprising to see Warner Brothers, Universal and 20th Century Fox trying to protect those *assets* by supporting an appropriate outcome. 
  

HMV Vancouver
It now looks as if what is quaintly known as a "restructuring specialist" Hilco has emerged as a front-runner to buy HMV. It's a company that buys "distressed businesses" where they believe there's some hope of turning them round as a going concern. They have history in this area having bought HMV (Canada)  a couple of years ago for the paltry sum of £2m and already, some of the largest flagship stores such as that in Vancouver have been closed. They have, though, opened smaller, more specialist outlets in city suburbs and it'll be very interesting to see where this policy takes them in the longer term. Importantly for the UK, the major record and DVD companies seem to be uniting behind the Hilco bid - which (apparently) is one of some 50 expressions of interest shown in the chain. It also seems that record and DVD suppliers see Hilco as a positive option and may well be prepared to support them on any acquisition - and ensure that decent credit lines are provided, credit lines which are the life-blood in this sort of business. There are even hints that prices charged to HMV might be reduced.

Hilco have made no comment so far - and there are some conflicting reports about what the major record companies are actually doing (if anything) to resolve this crisis for HMV. 

Brand New Record Store in
Bournemouth, Dorset
Let's not forget, HMV may not be the best record stores around - there are still some very good independent record stores in the UK - but they do have a presence in 230 or so towns and cities around the UK. Of course it would be nice - in the event of HMV's finally collapsing - that more indies spring up. Some might, but the there will be huge challenges to overcome: firstly, the high cost of location and rent and secondly, the attractiveness of the deal they'll get from record companies for supplying stock. A lone store doesn't have the buying or bargaining power of HMV and will need to fight and overcome these issues to succeed and make a profit.

It is true (of course) that on-line sales are increasing dramatically both in terms of on-line ordering of CDs and music downloads. But with no HMV -  and despite a sprinkling of very good independent stores - I don't think the UK is yet ready for there to be no record-buying outlets at all in many towns and cities. Habits die hard, ordinary folks don't embrace new technology as quickly as early adopters - and there is still nothing to beat the tactile qualities of an LP or CD.  

The next few days, then, will be crucial.

Alan 


21st January 2013
   







  


Tuesday, 15 January 2013

DEATH THROES ON THE HIGH STREET?

I hadn't expected to return to the subject of record stores quite so quickly: regular readers may recall a long piece I wrote in October last year which outlined the rise and fall of the record store phenomena in the UK. (You can check it out here: Record Stores ). I ended it by being relatively positive about the future, recognising that it would be a smaller and more niche future - but nonetheless, one in which record stores continued to exist in some way.

Two piece of news this week illustrate the precarious nature of the record retailer business model. Firstly, HMV has gone into administration - and secondly, on-line CD and DVD seller play.com has announced that from March, it will withdraw from its direct retail business.

But, what does this tell us? Does it say that HMV was badly run? That no-one buys CDs anymore? That the record industry no longer cares? Let's take a look at some of the factors swirling around the UK economy that have impacted these two very different animals.

HMV


With 239 stores in the UK and employing over 4300 staff, HMV is still a big business. Any big business needs to keep its eye on the competition to ensure it's not left behind. HMV did what it could: when video cassettes started being replaced in popularity by DVDs, it gave over large parts of each store to this product.  It tried to tackle the growing threat from on-line retailers  by launching its own download business. It saw that bands were increasingly making their money out of touring, so it bought a string of legendary music venues here in the UK. Finally, it acquired the book chain Waterstones and added to it when the Ottakers chain became available.

So, it had acted swiftly and decisively?

Well, not quite. Let's look at each of the moves and their subsequent consequences.

DVD Invasion


HMV was always seen as a record retailer, a business brand wrapped up with music and record labels. Once a London-based retailer, it embarked on a store expansion programme in the late 1960s, so its ubiquitous High Street presence has only been around for thirty to forty years. As the shape and purpose of town and city centres has changed across the years, HMV had to react. In the expansionist 80s, retail parks and out-of-town locations started becoming popular and large stores de rigeur. HMV was left with a large town centre estate, but often stores would end up in the wrong bit of town as the retail axis changed. As long as people kept buying, the downside wasn't too serious - even when competitors such as Virgin, Tower, Borders and so forth appeared to be much fleeter of foot and nimbler in their marketing and promotion. 

The attractions of HMV weren't its prices - it was not the cheapest store - but rather the large range of stock, the in-depth selection of genre music and the knowledge and enthusiasm of its staff. For record buyers who were uncertain about what they wanted, it was a good, friendly place to go. The larger stores -such as Southampton - had several floors and segregated the musical range into Classical, Genre and Rock & Pop. I - and no doubt many others - could spend hours browsing the shelves and choosing music to buy. The arrival "instore" of the DVD was no doubt seen as a wise move by the HMV hierarchy, but what it did was to remove quite a bit of the CD sale space, chipping away at the very qualities which brought the punters in. After DVDs, books, magazines, T-Shirts, games and gadgets followed - a typical High Street HMV was no longer a record store. Indeed, the newer retail park sites (such as Bournemouth's Castle Point) changed their layouts so that upon entering, racks and racks of DVDs were the main feature - with CDs and music shunted off to a less enticing part of the floor-space.

The genre-lines were cut back dramatically, so whereas at one time, Southampton had a whole floor devoted to folk, country, jazz, blues, rock & roll and all the rest, it now had two small racks with an extremely poor choice. From promoting HMVs own music label (part of EMI), it moved to swathes of DVDs and almost seemed to apologise for having to stock the odd bit of folk or jazz. The consequence? HMV was no longer a browsing destination, no longer a place to go to talk to staff experts - but an almost Tesco-like "pile it high and sell it cheap" emporium, only it wasn't that cheap.

Download Explosion


It can of course be argued, that the DVD invasion was simply a reaction to how consumer buying habits had changed - and the launch of its on-line download facility was another string to HMV's bow. The late 1990s saw the growth of a number of download websites, some from enthusiastic music fans, others from tech-savvy entrepreneurs. Here is not the place to go into the history, but essentially, the success of downloading only hit once two things happened: firstly, the widespread availability of home PCs with decent download speeds and secondly, the birth of easy and attractive download software and sites. Apple got in on the act through its purchase of Soundjam in 2000 and renaming it iTunes and since then, it has grown into a world-wide phenomenon. 

HMV started in a very tentative fashion by remodelling some of its larger stores to include a bank of PCs from which customers could buy direct from its fledgling download store. Again, one can see the thinking of the HMV marketeers, but this hybrid approach turned out to be the worst of all possible worlds, not helped by HMV's on-line pricing structure and the clunky and awkward software platform. The in-store terminals were phased out and a big promotion of a new download site replaced it: it was smarter and tidier, but still not the easiest thing to use - and by the time that the music-buying public was aware of it, iTunes had grabbed a substantial lead. So, the problem now was - how much money could be thrown at it to compete? But with an ageing estate of bricks and mortar coupled with its over-expansion into book-retailing meant that money was in short supply - and management attention was diverted elsewhere. HMV's on-line download site never did bridge the gap and it sits there as part of HMV.com, quietly dying away.

On-Line Tax Haven


The other threat that HMV was up against came from other retailers who sold physical copies of CDs - but they did so on-line and at a lower price. Play.com was the biggest and most aggressive: HMV were caught off-balance by the marketing tactics of this Jersey-based upstart. Play.com took advantage of a tax loophole there allowing them to buy and sell their wares without having to pay 15% VAT. That coupled with a clicks and mortar back office meant much lower overheads and the chance to sell products at a price that undercut HMV.

The response from the HMV management was to replicate Play.com's success by opening a similar operation in Guernsey, also taking advantage of the tax loopholes noted above. For a short time, they looked as if this might work for them, but again, events conspired against them. Brand awareness was all important - and Play.com was the on-line king of brands. HMV was seen as a High Street brand, so new consumers tended to opt for the upstart rather than the veteran. HMV also had the oft-repeated dilemma of a dual-track business whereby on-line sale prices were cheaper than store prices - and although there was an economic rationale for this, it didn't sit well with the punters.  

The death knell had been lurking in the background for some time: UK retailers had long complained of the tax loophole in the Channel Islands that allowed HMV and Play.com to base themselves there and essentially not to have to charge VAT. Pressure had been growing on the UK government and the States of Guernsey and Jersey to "do something about it" and in April 2012, "Low value consignment relief" (the technical phrase which allowed VAT-free sales on goods up to a value of £18) was outlawed by the UK government. Imports to the UK had to pay full VAT of 15%, thus removing almost overnight the key rationale for these CI-based businesses. 


Play.com still exists, but they have announced (9th January) that with effect from March, it's direct retail business will close, leaving the brand to concentrate on its "marketplace", whatever that might mean in the longer term. 

Live Music


In a parallel move, HMV had obviously noted that the old record-label and record company model was also suffering various stresses and strains. Bands increasingly saw their financial future coming from touring and live performances, rather than from the sale of singles and albums. It wasn't an overnight switch, but as new technology enabled new entrants to take a more DIY-approach to producing their music, music venues became the new commodity. Boosting this idea of live music was the explosive growth in the number of music festivals in the UK, festivals which needed bands and artists - all leading to more tours, more bands "getting back together" and a change to how many people consumed their music.

HMV's response? In 2009, it joined up with the MAMA Group to buy a 50% share in their business of owning iconic music venues. This brought the HMV brand to places such as The Hammersmith Apollo which became the HMV Apollo. Later that year, it bought the business outright, but running music venues in a crowded market place is a tough thing, it needs time and investment, and with the stresses and strains elsewhere in its business, HMV sold out just two years later to bring in some much-needed capital.

Books And Other Distractions


The final elements of HMV's portfolio, and an increasingly large distraction from selling music, was its ownership of the High Street book chain, Waterstones. It had over 250 stores around the UK and had been founded by book-seller extraordinaire, Tim Waterstone in 1982. It took a revolutionary approach to retailing and was bought out by W H Smith in 1993, Waterstone's former employer. By 1998, Tim Waterstone had decided to try and buy back his stores and launched a bid for the whole W H Smith empire. As a protective measure, W H Smith sold the Waterstones stores to HMV for £200m - and HMV brought its founder back to head the business.

Ottakers, a boutique-style rival chain of booksellers was added in 2006, but by then, on-line sales of books was having an impact on the abilty of the whole chain to compete. Whilst profitability was maintained to some extent, sales and market share were falling - and HMV, strapped for cash, sold the empire to A & NN Capital Fund Management in 2011 for barely a quarter of what they had paid for it 13 year earlier. The other threat to the business was the increasing acceptance by the public of e-books and book-readers such as the Kindle. HMV won't have to face that challenge, but I do hope that Waterstones manages to ride out that storm and survive.

High Street Woes?


So, we're back to HMV being put into administration on January 15th, 2013.

Some might think that no High Street store should be immune from the economic reality of life in 21st century Britain, change is for the good and maybe one day, we'll be anxious about the loss of iTunes or some such other on-line business. Others argue that for towns and cities to survive, a strong retail presence is vital - and speaking personally, the social cohesion of a town is down to retail, entertainment and employment attractions. If these disappear, what future is there for our towns and High Streets? Reinvention will happen, but I do trust that there will be a happy mix of real stores and virtual stores, I hope that the pleasures of shopping and browsing - the tactile experience of books and music in my case - will live on.

HMV itself may well survive in some form.

It's too early to say specifically what will happen, but already there are encouraging noises being made by the record and entertainment industry that its physical presence is a necessary element of the future. I suspect they fear being held in thrall solely to the on-line world and hope for a bit of competition. I hope too that there's a recognition that not everyone chooses (or is able) to buy on-line. A buyer for the group may have some advantages: if they have the funding to buy the brand and the stores, then they start afresh with no debt. Some stores will close, of that there is no doubt. They're in the wrong places now, they're the wrong size and they may well be locked into punitive leases. I fear for the staff numbers too. However, with some genuine focus and (that horrible word) re-purposing of their offering, HMV may yet survive.

We shall see.

Alan

15th January 2013   

   

 




Friday, 4 January 2013

THE MUSICAL BOX TOP 40 ALBUMS 2012 - Top 20 Run Down

Well, the run down is now complete following the second of our two broadcasts yesterday (3rd January) and the running order for the Top 20 is revealed!

It was a great show last night as the tension mounted through to Midnight when the revelation that DJANGO DJANGO had taken the top spot with their self-titled debut release. The top ten positions were all tightly contested and just a handful of votes separated them. Once again, I must thank all the listeners who voted - as well as readers of this The New Musical Box Blog - and I must also thank colleagues at Forest FM for their interest too. And a special mention to Chris Wade, the driving force behind Dodson & Fogg whose debut was in at #20: he promoted the show and the run-down for which I am very grateful indeed. His band have got a new album - Derring Do - coming out in the spring and judging by the first single, it's going to be another fine release.

Anyway - here's the Top 20 run down:



    


















You can check out the lower part of run down (positions 21-40) in a previous blog by clicking  on the link here:


And if you'd like to hear the selections, then here's a link to last night's show for you to listen to "at your leisure":



Well, that's it for another year, but already 2013 is looking as if it'll be an intriguing year too. There are a number of big releases due and with the recently announced BBC "Sound of 2013" list (topped by an excellent San Franciscan trio, Haim - I'll definitely be playing them in my show), there'll be a wealth of music to enjoy.

Don't forget you can tune in to The Musical Box every Thursday night at 10pm,  two hours of top music: songs old, new, borrowed and blues - plus a range of regular features and the odd surprise too. If you're in the East Dorset/West Hampshire area, then tune in to 92.3 Forest FM - and for all those across the rest of the globe, why not bookmark our Radio Player link?


And of course, ideas, suggestions and contributions are always most welcome. There are three quick ways of getting in touch:

Here's looking forward to a fascinating musical year - and I'll be back in blog-mode next week as we take a look at the British folk-rock boom of the late 1960s.

Alan

Tuesday, 1 January 2013

THE 2012 TOP 40 ALBUMS - PART 2

Well, we're into 2013 now and we've still got some great music from last year to feature on this week's edition of The Musical Box. Regular readers and listeners will know that we've compiled a run down of the Top 40 Albums of 2012. This was put together from many of my Albums Of the Week throughout the year and a few others which unaccountably slipped the net. The placings were down to you folks with your votes coming in up to Christmas Eve - for which my eternal thanks.



Last week's show featured the first half of the draw running from #40 down to #21. If you missed the show amongst all the festive fall-out, then here's a link to take you straight to my Listen Again facility - can't be bad, just listen in whenever and where ever you are: 


The top 20 features in this Thursday's show (January 3rd) which you can catch at 10pm on 92.3 Forest FM - and live around the world via our Radio Player - and here's a handy link for you:


The show is packed with two hours of great music with all our usual features - but to discover the run down and which release gets the coveted number 1 slot, you'll have to listen in. As a taster, what about a randomly ordered list of the twenty bands and albums in contention?

The Albums - The Top 20 - Randomly Ordered


  • Aimee Mann - Charmer
  • Toy - Toy
  • Garbage - Not Your Kind Of People
  • The Black Keys - El Camino
  • Dodson & Fogg - Dodson & Fogg
  • Tame Impala - Lonerism
  • Band Of Horses - Mirage Rock
  • Beth Orton - Sugaring Season
  • Heart - Fanatic
  • Bonnie Raitt - Slipstream
  • Bob Dylan - Tempest
  • First Aid Kit - The Lion's Roar
  • Bruce Springsteen - Wrecking Ball
  • Alabama Shakes - Boys And Girls
  • Grace Potter & The Nocturnals - The Lion, The Beast, The Beat
  • Donald Fagan - Sunken Condos
  • Dave Matthews Band - Away From The World
  • Martha Wainwright - Come Home To Mama
  • Django Django - Django Django
  • Polica - Give You The Ghost 

So, there we have it - don't forget to tune in on Thursday January 3rd at 10pm (UK), 5pm (Eastern) for the best two hours of music from 2012.

See you then.

Alan





Saturday, 29 December 2012

THE MUSICAL BOX "TOP 40 ALBUMS OF 2012"


Well, you may very well have caught my show on Thursday last (27th December) in which I revealed the first half of our special Top 40 Albums chart. And, as the news is *out* as it were, I'm now publishing the Albums that occupy positions from #40 through to #21.

The albums were chosen from this year's Musical Box shows, mainly from the Album Of the Week slots - with some bonus releases added in for extra variety. The running order was voted on by listeners to the show - and indeed, readers of this very blog. The top half of the drawer will be broadcast in next week's show on Thursday, January 3rd at 10pm - so make a note!

You can of course listen to last Thursday's show - and the selected tracks from each album - by heading over to mixcloud where all my shows are posted each and every week. Here's a convenient link for you:



To check out the album covers and a brief description of each release, why not read the relevant blog?  Here's a cunning link for you - but do come back afterwards, you hear?





TOP 40 ALBUMS - Numbers 40 through to 21
























See you next week!

Alan


Wednesday, 26 December 2012

THE 2012 TOP FORTY ALBUMS - PART 1

Well, the votes are all in, the calculations have been done and we're all set to reveal The New Musical Box "Top 40 Albums" of 2012.

Just as a brief refresher, I put together a list of what I felt were a good Top 40 releases from the year - many of which had been Albums Of the Week on The Musical Box (Thursday nights at 10pm, Forest FM) -  and then opened up the voting to listeners and readers. All you had to do was select your Top 5 in 1,2,3,4,5 order and send them in.


Needless to say, there were a few albums that you felt could have been included, some felt they could only vote for a Top 3 (based on the albums they'd heard) - and others found it tough to put their chosen five into any semblance of order. It's all a bit of fun, really, so my thanks to all those who voted and commented.

What Now?

I've worked out the sequence of albums from #40 right up to #1 and am playing them, in order, in my shows of 27th December (#40 to #21) and 3rd January (#20 to #1). In a mercenary moved designed to get you to listen to the shows, the actual run down will only be revealed on air - and you can catch the programmes between 10pm and Midnight on the relevant dates by tuning into 92.3 Forest FM - or, using our Radio Player link to tune in anywhere around the world:


However, to provide some guidance, I shall reveal right here, the albums which made up positions #40 through to #21  - but not in order, just a random list taken straight from the blog of 13th December. I'll post the actual order - plus the albums (randomly) that comprise the Top 20 - before the show airing on January 3rd. The whole Top 40 - in order - will then appear after that second show.

You see, all as clear as mud.

The Albums - Positions #40 -#21 - Randomly Ordered

So, here they are, the albums in the lower half of the Top 40 - and to discover the actual order, tune in on 27th December at 10pm (5pm Eastern).

  • Janiva Magness  - Stronger For It
  • The Smoke Fairies - Blood Speaks
  • Public Service Broadcasting - The War Room
  • Alberta Cross - Songs Of Patience
  • Richard Hawley - Standing At The Sky's Edge
  • Jack White - Blunderbus
  • The Jim Jones Revue - The Savage Heart
  • The Shins - Port Of Morrow
  • Cat Power - Sun
  • Deer Tick - Divine Providence
  • Ian Anderson - Thick As A Brick Two
  • Patti Smith - Banga
  • Little Feat - Rooster Rag
  • Hooded Fang - Tosta Mista
  • Dark Horse - Black Music
  • Show Of Hands - Wake The Union
  • Gary Clark Junior - Blak And Blu 
  • Spiritualised - Sweet Heart, Sweet Light
  • John Mayer - Born And Raised
  • Jake Bugg - Jake Bugg                               

There's a wealth of fabulous music in there - so do tune in this Thursday, 27th December to catch the songs and the running order (and if you and can't make the show and You Are Very Good, then the whole programme will be available to "Listen Again" via mixplayer from Friday night, December 28th "at a time and place of your choosing".)

Have fun.

Alan



Thursday, 13 December 2012

It's That Time Of Year Again


One of the joys of doing my radio show The Musical Box is listening to a wide range of new albums across the course of the year.

Even releases which don't look too promising usually have their moments - quite apart from the albums I've been keeping an eye out for because I Know They Will Be Good.

The music press like this time of year because it means they can fill up their pages with Top 10 listings - which all helps bring in extra advertising and readers. Record labels love it because it gives a boost to sales having their products picked over in the press once again. And bands like it too as their output is snapped up by folks intent on giving the gift of music at Christmas, either as a specific album or an itunes voucher.

So despite all the new marketing pushes given to existing albums, the special "extras laden" editions of albums which came out just months ago and the dearth of really good new music once December's under way, I couldn't resist either. 

Here then is a new project, a joint effort between this blog and my radio programme - welcome to The Musical Box Festive Forty. The great John Peel, of course, ran his famous Festive Fifty throughout December, choosing individual songs and then playing them down to his top choice of the year. I'm choosing my Top Forty albums released in the UK in 2012 - and then will be playing key tracks from them in The Musical Box on December 27th and again on January 3rd.

But you can help me choose the order.

I've done the hard work by selecting 40 albums, many of which were my Albums Of The Week and a few which - unaccountably - slipped through the net. These appear in the list below, together with copies of the album cover art and odd notes to provide a neutral guide to their content and origins.

Your input is simple- but vital: Nominate your Top 5 albums from the list - and then send them to me. I'll then use a simple points system to draw up a popularity listing for the 40 albums and publish them here on December 27th itself. In the Musical Box that night, I'll play a track from each of the albums numbered from 40 through to 21 - and then the following Thursday, January 3rd, I'll do likewise for the top twenty. 

Here's How It Works

  • Select your Top 5 albums from the list below
  • Number them in order of preference - 1 = Best, 2 = Next Best and so on
  • E-mail me with your choices to breakthrough@forestfm.co.uk 
  • Or - send me a facebook message to my facebook page Alan Dorey
  • Or - leave a comment on this blog
  • Make sure they arrive no later than Midnight on December 24th
  • There will be mentions on-air for those who get closest to the final Top 5
What could be simpler?

In the listing below, I've arranged the albums completely randomly, so no preference is attached to any of them or the positions they may appear to hold. Each is as equally important as the next.

And - if there are albums you Really Think should have been included - why not tell me? There'll be a wildcard selection in each of the two shows.

And that's it.

Here's the listing.

THE MUSICAL BOX FESTIVE FORTY 2012


1) First Aid Kit: The Lion's Roar


Swedish folk duo First Aid Kit, sisters Johanna and Klara Soderberg, released this their second album in January. 

They've been big on the festival circuit this last summer and are noted for their close harmonies and inventive song-writing.








2) Django Django: Django Django

Scots indie band from Edinburgh, this is their self-titled debut release which came out at the end of January. They're not named after guitar legend Django Reinhardt, but they are a very interesting new act and have since based themselves in London.
  







3) Smoke Fairies: Blood Speaks


A Sussex-based blues and folk duo comprising Katherine Blamire and Jessica Davies. They've been performing their powerful brand of folk-blues - often with a rock overlay - for a few years now and this, their third album, Blood Speaks, was released in May. 









4) Janiva Magness: Stronger For It

Blues and soul singer Janiva Magness hails from Detroit and has released nine albums in the past 15 years, Stronger For It being the latest and hitting the stores in April. It's a good example of electric blues and has received several award nominations this past few months.








5) Public Service Broadcasting: The War Room

Debut release from London electronica & rock outfit Public Service Broadcasting. It's a unique approach they've taken by gaining access to WW II newsreels and Public Service films, taking samples from them and incorporating them cleverly into a series of electronic soundscapes underpinned by drums and guitar.







6) Alberta Cross: Songs Of Patience

An unusual set-up for this rock and blues band, Alberta Cross: they started out here in the UK based in London. Their sound is heavilly influenced by US southern rock - and these days, they're based mainly in New York. They've toured extensively across Europe and North America and Songs Of Patience, their second album, was released in July.







7) Toy: Toy

Another new band, Toy, with their self-titled debut release which came out in October. They're an indie/psychedelic rock quintet from London and made waves with the reception they got for their first two singles.   









8) Richard Hawley: Standing At The Sky's Edge

A former member of Sheffield bands The Longpigs and Pulp, Richard Hawley has been solo for some years now. He's brought quite a bit of variety to his work with his previous album being almost "lounge" in its gentle songs whilst Standing At the Sky's Edge is an altogether rockier affair. Released in May.








9) Tame Impala: Lonerism

Tame Impala are an Australian psychedelic rock band from Perth. This five piece were founded 5 years ago and Lonerism is their second album. It was released in October.










10) Jack White: Blunderbus

One time main-man of The White Stripes, Detroit-born Jack White has done several collaborations since the Stripes called it a day in the early part of 2011. Blunderbus is his first proper solo release and came out in April.









11) Alabama Shakes: Boys And Girls

Formed in 2009 in Athens, Alabama, The Alabama Shakes made a big impression on the music scene this year. Fronted by Brittany Howard, their style of garage rock/blues rock and overones of Americana has proved quite infectious. This, their debut album, was released in April.








12) Jim Jones Revue: The Savage Heart


The Jim Jones Revue are a London-based garage-rock band formed in 2007. Alongside the eponymous Jones is Beth Orton's brother Rupert. The Savage Heart is their third album and it came out in October.









13) The Shins: Port Of Morrow


The Shins are an indie-rock band from New Mexico: they inhabit the more melodic end of the genre and Ports Of Morrow is their fourth album - and their first for five years.












14) Cat Power: Sun


Chan Marshall is better known by her stage name of Cat Power and she's specialised in a wide range of musical genres: folk, rock, blues and a more lo-fi singer-songwriter style too. She's been recording since the mid-90s and Sun is her first release in four years and came out in September.








15) Bob Dylan: Tempest


Tempest is veteran Bob Dylan's 35th studio album and follows the musical vibe of his last release, 2009's Together Through Life - a revisiting of musical styles that influenced him as he was growing up. Released in September, it hit the top 5 in both the US and UK.








16) Dave Matthews Band: Away From the World


The Dave Matthews Band is a rock and jazz fusion outfit from Virginia and they've been recording since the early 1990s. This latest release - their eighth - has been well received by critics and it hit the stores back in September.









17) Deer Tick: Divine Providence


Hailing from the smallest of the US states - Rhode Island - Deer Tick are a indie rock band who also dabble in country sounds too. Their fourth album - Divine Providence and named after their home city - was released at the turn of the year.








18) Ian Anderson: Thick As A Brick 2


Ian Anderson is the front-man and principle songwriter for Jethro Tull. From time to time, he releases solo work and such is this, Thick As A Brick 2, a new song-suite that follows up the 1973 Tull classic Thick As A Brick. It imagines the 8 year old Gerald - who featured in the early concept piece - now grown up and dealing with modern life. Released in April.






19) Patti Smith: Banga


Patti Smith started out as a poet in New York before she fell in with the naescent new wave scene at CBGBs in the early 70s. despite occasional period of inactivity, her brand of rock with its considered lyrics still finds a place today. Banga - her 11th studio album - was released in June.






20) Grace Potter And The Nocturnals: The Lion, The Beast, The Beat


2012 has been a big year for blues and indie rockers Grace Potter And The Nocturnals. Another band from Vermont, this - their fourth album - went straight into the Billboard Top 20 and has continued to sell well both at home and in Europe. It was released in June.








21) Little Feat: Rooster Rag


Little Feat have overcome many pitfalls in their long career, particularly the death of their front man Lowell George back in 1979. Boogie rock, funk and the blues are their thing and this new album - released in June - is their fifteenth to contain all-original material.








22) Bruce Springsteen: Wrecking Ball


One of New Jersey's biggest musicians in terms of creativity and sales, Bruce Springsteen returned this year with his seventeenth studio album, Wrecking Ball. It's full of his usual rock stylings with occasional folk-leanings too. It was released in March.








23) Aimee Mann: Charmer


Aimee Mann started out in The Young Snakes and then 'Til Tuesday before  going solo in 1993. She's a highly literate songwriter and has a distinctive guitar sound too. Charmer - her  eighth solo release - came out in September.









24) Polica: Give You The Ghost


Polica are an indie and R&B band from Minneapolis who were only formed last year. This - their debut album - came out in February and is noted for the varied and accomplished approach to a number of the songs, particularly the lead single, Dark Star.








25) Hooded Fang: Tosta Mista


Hooded Fang are a Canadian indie-rock quartet from Toronto. They're quite experimental with their sound veering from electronica to full out rock and back. Tosta Mista is their second album and although released in their home country in 2011, it didn't appear hear in the UK until January.








26) Dark Horses: Black Music


Dark Horses hail from Brighton in West Sussex and are an unusual rock band - a cross between Siouxie Sioux and Grace Slick was one description of their music. Fronted by Lisa Elle and also featuring Harry Bohay-Nowell, the son of celebrated Bonzo Dog member Vernon Dudley Bohay-Nowell, their debut album was released in April.




27) Show Of Hands: Wake The Union


In recent years, folk-rockers Show Of Hands have expanded to a trio with bassist Miranda Sykes joining founders Steve Knightley and Phil Beer. They've had another successful year, filling the Royal Albert Hall for the fourth time in their career and releasing their fifteenth studio album, Wake The Union - a mix of original songs celebrating the roots traditions of both the USA and UK.






28) Band Of Horses: Mirage Rock


They come from Seattle, The Band Of Horses and although mainly an indie-rock band, they also dabble in country rock and southern rock for variety. Formed in 2004, this five piece released their fourth album back in September.









29) Bonnie Rait: Slipstream


Bonnie Rait has been releasing fascinating albums since the early 70s and these days is very much recognised as a talented blues slide guitarist and songwriter. Slipstream is her first album for seven years and came out in April.









30) Donald Fagan: Sunken Condos


Donald Fagan is one half of the core of Steely Dan and this solo release Sunken Condos allows him to explore his jazz-rock fusion sound a little more than usual. It came out in October.









31) Gary Clark Jr: Blak And Blu


He comes from Texas and Gary Clark Junior is a master at a wide range of guitar styles - rock, blues, psychedelic, R&B and soul. He's had a high profile this year helped by the warm reception to his third album proper, Blak And Blu. He's toured extensively and is much in demand by other bands.








32) Garbage: Not Your Kind Of People


Formed in Wisconsin back in the early 90s, Garbage are a fine rock band and noted for the striking vocal style of their lead singer, Scotland's very own Shirley Manson. They broke up for a while in the noughties, but returned this year with their first new studio album in seven years, Not Your Kind Of People, released in May.







33) Dodson & Fogg: Dodson & Fogg


One of the surprise releases this year was this self-titled album from West Yorkshire based outfit, Dodson & Fogg. The band as such is in reality musician Chris Wade's musical folk-rock project. He's managed to bring in Celia Humphries (from 70s folk-rock band Trees) and Judy Dyble (original female vocalist with Fairport Convention in 1967) and has created an album that lives both in that 70s era and the modern day. It was released in September. 






34) The Black Keys: El Camino


The Black Keys are a rock band from Akron, Ohio featuring Dan Auerbach (guitars) and Dan Carney (drums). They've managed pretty much an album a year since their formation in 2002 and the latest, El Camino, came out in January.









35) Heart: Fanatic   


Sisters Ann and Nancy Wilson returned as Heart with another new studio release, Fanatic. It's very much in a similar vein to their early 70s output (which is good) rather than their somewhat wayward and directionless 80s work. Originally from the US - but also based for a while in Canada's Vancouver - the album was released in October.







36) Beth Orton: Sugaring Season


It was a welcome return for Norfolk-based singer-songwriter Beth Orton who has been almost in hiatus for some 6 years. The album - Sugaring Season - is named after the time of year when the maple trees of Canada and Vermont are about ready to give up their syrup. It's been well-received  and was released in October.







37) Martha Wainwright: Come Home To Mama


Martha Wainwright's previous album was the French-language tribute to Edith Piaf, Sans Fusils, Ni Souliers a Paris. The Canadian singer-songwriter returned this year with Come Home To Mama, a release that has received much praise across North America and the UK. A stand out song is Proserpina, the last song that her mother Kate McGarrigle wrote before her death in 2011. The album was released in October.





38) Spiritualised: Sweet Heart, Sweet Light


Twenty-two years down the line from their founding in Rugby, Spiritualised returned after a four-year gap since 2008's A&E with this new release, Sweet Heart, Sweet Light. Frontman Jason Pierce spent almost a year mixing the final result, the album coming out in April.









39) John Mayer: Born And Raised


John Mayer is noted for his pop and blues sounds as well as being an actor; he comes from Connecticut and 2012 saw the release of Born And Raised - his fifth studio album. Critics have described the album as a mix of "Laurel Canyon folk and Californian country-rock".








40) Jake Bugg: Jake Bugg


Our youngest artist is 18 year-old Jake Bugg, a real discovery in this year of 2012. His songs remind one of early Bob Dylan in their intensity of lyrical content - and his virtuosity with acoustic guitar is very much becoming his trademark. His self-titled debut release came out in October.









So, There You Have It


It's a difficult exercise trying to select just 40 albums to represent the many hundreds that were released across the year of 2012. I believe there's a good mix of the sounds we play on The Musical Box and an interesting range of acts old and new. There are many other albums that could have squeezed in and I'm sure that you'll very quickly identify the ones you believe should be included. As I noted at the start of this piece, I'll be including two wild-card selections in the final run-down, so do please tell me what they ought to be.

As for the rest, well, don't forget:

  • Vote for your Top 5 albums from this listing (see start of blog for details)
  • Make sure your votes are in to me by midnight, December 24th.
  • I'll calculate the running order based on votes cast
  • The albums from 40 through to 21 will have a song from each in my December 27th show
  • The albums from 20 through to 1 will have a song from each in my January 3rd show
  • Name checks for those who get closest to the final top 5  
And of course, although we're not offering huge cash prizes or fancy holidays in far-flung parts of the globe, we are here to bring great music to a wider audience: so please play your part in making that continue.

There'll be a follow-up blog next week as a gentle reminder.

Happy voting!

Alan Dorey
December 14th 2012.